There are few universal memories that make each of us think back and say, “Ah, I remember…”. One of these took place on July 20, 1969, when all nations were held mesmerized watching Apollo 11 and humanity’s first steps on the moon.
My link to that day culminated in an opportunity, as a member of the Citizens Coinage Advisory Committee, to attend the ceremonial strike for the Apollo 11 $1 silver coin at the U.S. Mint in Philadelphia on December 13. I was able to strike my own $1 coin, ably assisted by Coin Press Operator, Kenneth Holland. Other “temporary” press operators were the children of the Apollo 11 astronauts, Mark Armstrong, son of Neil Armstrong, Andy Aldrin, son of Buzz Aldrin, and Ann Starr, daughter of Michael Collins.
The Apollo 11 50th Anniversary Commemorative Coin Program had been passed two years earlier by Congress, with common obverses and reverses required for the four coins in the series: a curved $5 gold coin, a curved $1 silver coin, a curved half-dollar clad coin, and a curved 5-ounce 3-inch $1 silver proof coin, the largest curved coin ever struck by the U.S. Mint. Quantities struck from this series should enable collectors to add to their collections – 50,000 $5 gold half-eagles, 400,000 $1 silver coins, 750,000 clad half-dollars, and 100,000 5-ounce $1 silver proof coins. The coins will be available for sale on January 24, 2019, and can be obtained at www.usmint.gov.
While the image of the reverse was mandated by the law—the famous ‘‘Buzz Aldrin on the Moon’’ photograph taken July 20, 1969, that shows just the visor and part of the helmet of astronaut Buzz Aldrin, in which the mirrored visor reflects the image of the United States flag, the lunar lander, and the remainder of the helmet has a frosted finish—the obverse design was open to a juried competition, judged by selected members of both the Citizens Coinage Advisory Committee and the Commission of Fine Arts, with the final selection made by the Secretary of the Treasury.
Gary Cooper had his design of the boot imprint on the lunar surface selected as the winning representation, sculpted by U.S. Mint Sculptor-Engraver Joseph Menna. U.S. Mint Sculptor-Engraver Phebe Hemphill sculpted the reverse.
A sell-out of these coins will result in surcharges of $14 million for the three designated beneficiaries—50% to the Smithsonian Institution’s Air and Space Museum’s Destination Moon exhibit, 25% to the Astronauts Memorial Foundation, and 25% to the Astronaut Scholarship Foundation.
The Annual Report of the American Numismatic Society (FY2017–2018) is now available to download in advance of the Annual Meeting to be held on October 20th. Questions about the annual meeting and report can be addressed to Emma Pratte, Membership Coordinator, at email@example.com or 212.571.4470 x117.
ANS Deputy Director Gilles Bransbourg won the award for best article or story of the year for his piece in ANS Magazine, “U.S. Money Doctors in Latin America: Between War and Depression, the Short-Lived Reinstatement of the Gold Standard,” which appeared in issue 2017.4.
ANS Members receive ANS Magazine four times a year as part of their membership, as well as a 30% discount on books. To become a Member of the ANS, call Emma Pratte at 212.571.4470 x117.
Steven Burges is a PhD candidate in the Department of History of Art & Architecture at Boston University. He is currently writing a dissertation that examines the representation of Roman imperial funerary pyres on the coinage of Antoninus Pius and Marcus Aurelius and the commemorative significance of these representations within the ideology of antiquity and beyond. He was a participant in the 2018 Eric P. Newman Graduate Seminar.
In March of the year 161 CE, the Roman emperor Antoninus Pius died at the age of 74 at his villa near Rome after reportedly “eating Alpine cheese at dinner rather greedily” (Historia Augusta, M. Ant. 12.4). His death marked a turning point in Roman imperial history, since, for the first time, a deceased emperor was succeeded by a set of official co-regents, Marcus Aurelius and Lucius Verus. Hadrian had organized their joint adoption by Antoninus 23 years earlier.
The co-rulers issued coinage – bearing the obverse legend Divus Antoninus, or the divine Antoninus—to commemorate their father’s passing and subsequent deification, and it reflected the unprecedented transition of power and the continuation of the familial piety that had earned Antoninus the title “Pius.” An unparalleled type from the series contained the first images of a funerary pyre on which the emperor was cremated to appear on gold denominations of the Roman mint (fig. 1). In fact, the pyre became the exclusive reverse type of the aurei struck for Divus Antoninus in addition to becoming the most prevalent type of the silver and bronze issues. All included the legend consecratio, which likely referred to the funereal process of deification itself.
In an effort to discover why the innovative iconography of the pyre came to dominate the commemorative coinages of Antoninus, I conducted a die study and hoard analysis of the aurei honoring Divus Antoninus. I then compared the results to studies of aurei minted after the death of his wife, the empress Faustina the Elder. She died and achieved godhood in 140 CE, at the beginning of her husband’s reign. While Antoninus produced a massive series of aurei for Diva Faustina with 24 different reverse types over a period of nearly twenty years, only one uncommon type from the early issues bore the consecratio inscription (fig. 2). It depicts the empress and a female driver in a quadriga – perhaps the celestial vehicle that bore her to the heavens. Although absent from her aurei, contemporary bronzes announcing her apotheosis were the first of any denomination to carry images of a funerary pyre.
In the years to follow pyres continued to adorn currency honoring deceased empresses and emperors, but primarily, they were found on the silver and bronze coins. The numerous tiers and ornate decorative sculptures, garlands, and tapestries align with the descriptions of ancient eyewitnesses (Cassius Dio, Historia Romana 75.4-5). Between the years 310 and 313 CE, the emperor Constantine would strike the last pyre coin, a rare gold solidus, to honor his deified father, Divus Constantius (fig. 3).
My analysis of the original Divus Antoninus aurei has enabled the identification of 30 obverse and reverse dies from 70 coins all with the same reverse type. In contrast, the earlier aurei of Diva Faustina survive in over 900 examples with nearly two dozen reverses, reflecting both the extraordinary scale and longevity of their production (Martin Beckmann, Diva Faustina: Coinage and Cult in Rome and the Provinces, 2012). Despite the limited run of the Antoninus coins, the ratio of dies observed to the number of coin examples is nearly equivalent. Hoard evidence from Italy, France, and Portugal also suggests that the two coinages circulated within similar regions.
The difference lies in the significant expansion of the novel consecratio reverse with the pyre to the aurei under the adopted Marcus and Lucius. This suggests that they intended the pyre to serve as a specifically Antonine advertisement of dynastic continuity for the elite users of gold coinage. Further, it was a memento of the cremation and deification ceremony itself, which the co-rulers jointly oversaw, as the inscription on the pedestal of the column of Antoninus Pius indicates. The dynastic uncertainty of the time had been likewise countered in some of the last coins struck during Antoninus’s life. They depict the fecundity of his daughter Faustina the Younger surrounded by her four daughters: Lucilla, Cornificia, Fadilla, and Annia Faustina (fig. 4).
As I continue this research, I will expand the scope to the pyre reverses found in other denominations struck under Marcus Aurelius and Lucius Verus along with other contemporary consecratio types, in order to continue unveiling the significance they held for the citizens, soldiers, and senators who used the coins.
The ANS is pleased to have contributed to the publication of a new book on engraved gems from antiquity, which is now available for purchase. Ancient Engraved Gems in the National Museum in Krakow, by Paweł Gołyźniak (in English), is considerable in size and top in quality. It consists mostly of the specimens assembled by the extraordinary collector and art dealer Constantine Schmidt-Ciążyński (1818–1889). Almost 780 cameos, intaglios, scarabs, and finger rings are presented in this beautifully designed volume. This book will be useful not only to scholars interested in gems, but also to those who study the history of the art market and collecting, as well as to enthusiasts of Classical art and archaeology.
Part I: History and Character of the Collections (includes a brief biography of Constantine Schmidt-Ciążyński and the history and original structure of the collection).
Part II: Catalogue (includes hundreds of entries featuring a Babylonian cylinder seal, Egyptian plaque, Mycenaean seal, Archaic Greek gems, Classical Greek finger rings, Hellenistic Gems and Finger Rings, Etruscan scarabs and ring stones, Italic and Roman Republican gems, Augustan gems, Roman Imperial gems, Cameos, Early Christian gems, and appendixes on magical and Sassanian gems). Indexed by collectors and collections, subjects, and materials, with a concordance and bibliography.
Publisher: Dr. Ludwig Reichert Verlag
Hardcover, 318 pages, 30 b/w figures, 112 b/w plates
8.5″ x 12″, lay-flat binding
$150 plus shipping, no Member discount
Order directly from the ANS by contacting Emma Pratte at firstname.lastname@example.org or 212-571-4470, ext. 117, or order online with PayPal.
The Art of Devastation: Medals and Posters of the Great War premiered as an online exhibition on July 31, 2017. Based on the physical exhibition by the same name, which ran from January 27–April 9 at the Frances Lehman Loeb Art Center at Vassar College, the online edition includes each of the 130 medals and posters with text and high-quality, “zoomable” color images. The online exhibition also includes video, maps, and links to the ANS’s collections database. Guests can browse the exhibit on their computers, tablets, and smart phones. The exhibition and its catalogue were co-edited by Peter van Alfen, the Margaret Thompson Curator of Greek Coins and head of Curatorial at the ANS, and Patricia Phagan, the Philip and Lynn Straus Curator of Prints and Drawings at the Frances Lehman Loeb Art Center. The online exhibit was created by Andrew Reinhard, ANS Director of Publications.
This marks the first in a new series of free online exhibits created and curated by the ANS using tools provided by the Google Cultural Institute. The ANS collections include more numismatic specimens and artifacts than could ever be shown in its public exhibition space, or through loans to other museums. By curating permanent, online exhibits, the ANS can share its collections in organized, thematic ways for anyone to enjoy. Future online exhibits for 2017 include Funny Money: The Fight of the U.S. Secret Service against Counterfeit Money, curated by Ute Wartenberg, and an exhibition on Umayyad coinage curated by Vivek Gupta.
The printed exhibition catalogue for The Art of Devastation is available for purchase through the ANS’s store.
On January 12, 1918, ANS President Edward T. Newell delivered his President’s Address at the ANS’s 60th Annual Meeting nine months after the United States entered the Great War. 100 years after that commitment, Newell’s address still resonates with hope and an eye towards a collaborative future. Reading the full text of the speech below, one is struck by “the more things change, the more they stay the same.” Collecting, funding, staffing, and housing the ever-growing collection remain core issues, as does outreach and the sharing of knowledge through lectures and publications like the American Journal of Numismatics. The speech details an awakening of the Society where the world has taken note of it, marking a turn towards global citizenship and leadership in numismatics. Even in the midst of uncertain times, the future of the ANS remained bright to Newell whose confidence in the Society and its staff was unwavering in the face of financial hardship. He would be pleased at how far the Society has come in realizing his vision.
Text of the Speech
This is the sixtieth annual meeting of the American Numismatic Society, and of this fact you are doubtless all sufficiently aware. If I had little to say to you this afternoon, this would make a splendid text upon which to dwell at length to the edification of all concerned. I feel, however, that in recent years the Society has had a new birth, and it is never the fashion of youth, in its strength and enthusiasm, to look back; the goal of its desires lies ever forward.
Since the last annual meeting the entry of our country into the world war has taken place, and it is self-evident how this is bound to profoundly affect the Society’s outlook, its activities and their results. Already the effects have been felt profoundly in nearly every department of our work, but, on the whole, the impetus given by the events within our Society of the year 1916 is still carrying us along. Outwardly, therefore, you will not have noticed many changes directly due to this great war.
As you may remember, one of the most impassioned pleas made to the Society at the last annual meeting was the need of a Secretary, who must be a person of unusual attainments and ability to fill a post as important as it is difficult. Within a short time of that meeting the Governors made the happy discovery that this versatile person was actually residing in our midst. Mr. Noe was appointed to the onerous post, and, to the satisfaction of all, accepted. The fortunate results to the welfare of the Society have been patent throughout the last nine months.
The year 1917 has been one of intense activity within our building and in our particular sphere. This has undoubtedly been felt by all of you and has also reacted upon such of our members who are unable to keep in personal touch with us. The ever-increasing number of letters of inquiry, of encouragement, and also, needless to say, of protest or friendly criticism, clearly reveals this state of affairs; while the encouraging fact that the number of visitors to our building has doubled in the last twelve months shows that the outside world is beginning to take cognizance of our existence. This the staff in our building is fostering in every way possible, and it is to be hoped that our members will not fail to do their share in making us known throughout the length and breadth of the land.
The campaign which was inaugurated last year to cause to gravitate towards our building important collections of coins has brought about the highly gratifying results you all know, and which will be more fully described in the Curator’s report. In this field we can certainly point to the past year with pride, and with a feeling that the precedent thus happily set will undoubtedly make it easier for us in the future to secure important collections as may become available. The snowball has started on its way.
The Society has also been successful in commencing a policy of establishing contact with the Universities and learned institutions of the country. As a result we have had more inquiries and visitors from institutions interested in the scientific aspect of numismatics than ever before. Several of the Archaeological Societies of America have pressed us for lectures on our subject. Certain serious workers have not only directed many inquiries to our doors but have already, or are expecting in the near future, to pursue certain lines of research beneath our roof.
Another class of people the Society has established contact with in the past year are the medallists and sculptors of America. The field is large, and we have only commenced operations, but our tentative efforts are beginning to show results. Our Secretary will give you more details in his report, but let me call your attention particularly to the cordial letter just received from Mr. Paul W. Bartlett, President of the National Sculpture Society, accepting on behalf of that Society our invitation to hold a meeting in our building this coming month.
The Committee on Publication of Medals has had a most successful and important year. As you will see by their report, a precedent has now been established by which our Society may take a leading part in the publication or distribution of noteworthy civic medal issues a result which must ledound considerably to our credit and wider recognition.
As stated before, this is a time of national stress and danger. The opportunities of a numismatic society to enter into active war service are not great or even very evident. Nevertheless, such an opportunity did present itself a short time ago, when Dr. Hornaday of the New York Zoological Park approached us with a view to our co-operating with and actively supporting the Hulbert Bill now before Congress. The purpose of this bill and the success attending our efforts to secure the necessary financial backing will be detailed in the Secretary’s report.
This very much restricted statement of a few of our activities of the past year suffices to show that the Society is progressing as well as present circumstances will allow. It has been a year of the most rigid economy, because of the times through which we are passing. It is self-evident to all that ours must now be a policy of making things tight within the Society during the present storm, and particularly of preparing ourselves, in every way possible, for the great days that are bound to come the moment the world is again at peace. With this in mind, the present seemed to offer an excellent opportunity to put our coin room in the state of greatest efficiency.
This could only be accomplished by installing a uniform system of coin cases which would embody the latest devices, and at the same time provide the greatest economy of space. After prolonged work on the part of our Curator, plans for such cases were perfected. Certain of our members who were impressed by the imperative need for this constructive policy within our building responded generously to the appeal made to them, and six and a half steel cases have been ordered, which will just fill our coin room and furnish space, roughly speaking, for well over 120,000 coins and medals.
Thus far I have touched only upon new activities and the encouraging feature of our situation. Unfortunately, as is so often the case, there is also a reverse side to our shield which calls for infinite care and foresight, as well as such suggestions and assistance as the members of our Society can give. The rigid economy of which I have just spoken has enabled us to come through this past year with a very small deficit. In previous years our deficit usually amounted to thousands of dollars, which had to be met each time by special subscriptions. In 1917 more has been accomplished in every department than ever before, with a final deficit of about two hundred dollars only; but it must be remembered that we were assisted by the liquidation of some assets stored within our building, such as old publications, past numbers of the Journal, unsold medals and the like. These have now been converted into money, but the prospect of realizing to any great extent on such as remain is practically nil. What has been rigid economy will this coming year have to become uncompromising penury. This will necessarily have a terribly retarding effect upon the progress of which we are all so proud.
The fund placed at our disposal for the publication of Volume 50 of the Journal and the 1916–17 Proceedings is now practically exhausted, and we have nothing wherewith to issue the next number of the Journal. This does not take into consideration special publications, of which we have at least two available. Such is the impossible situation of a Society which ostensibly stands for the spreading of numismatic learning at home and desires to be on, at least, an equal international standing with similar institutions abroad.
The many and varied activities which have made this past year such a successful one in the history of the American Numismatic Society have also proven how unfortunately short-handed the staff is in the presence of the many calls made upon it. This state of affairs threatens to render somewhat s perfect and less effectual the outcome of such important activities as may be undertaken in the near future. Even this past year, which can record so many things successfully accomplished, must also show many things that had to be left undone, either because of lack of funds or because of the lack of necessary time on the part of the staff. It is the things not done, or only half done, that have always been the bane of this Society.
I do not dwell here upon the reverse side to our shield in any sense as a discouragement, but that the Society as a whole may fully appreciate the conditions. If we were to contemplate only one side of a situation to the complete exclusion of the other, one’s judgment would necessarily become warped, and, therefore, as in life, there is always a certain mingling of the unpleasant with the pleasant; it is vital to take cognizance of both. The staff is indeed immensely sanguine concerning the possibilities of the immediate future, in spite of the war and the general financial situation. At the commencement of the year just past the difficulties ahead loomed up exactly as large, and yet the Society has been able not only to meet some of the most pressing needs, but has won through with the minimum of financial loss. With this in mind the future holds no terrors for those immediately responsible for the success of the Society’s activities, as they know from past experience that they can definitely rely on a whole-hearted support from the members of the American Numismatic Society.
The ANS is pleased to announce a new interface for Online Coins of the Roman Empire (OCRE), which allows non-specialists, hobbyists, collectors, archaeologists, and others to browse Roman Imperial coins by image for free online. People can compare the coins in their collections or those coins recovered from archaeological excavations against diagnostic specimens in OCRE. The OCRE project received $300,000 from the National Endowment for the Humanities (NEH) in 2014.
The “Identify a Coin” interface works on any device, from computers to tablets to smart phones. Users can begin browsing Roman Imperial coinage right away, or can filter search criteria by portrait, material, and even legends, which includes the ability to enter all or part of a legend as well as marking illegible characters. The portraits are listed chronologically, first by dynasty, and then by personage within the dynasty (including empresses and children). In many cases, examples of portrait images are available in gold, silver, and bronze varieties, as well as worn examples that one may encounter with stray finds or excavation. More than one material may be chosen, which is useful for later Roman coinage, when severe wear makes it difficult to distinguish between what Roman Imperial Coinage has designated as “silver,” “bronze,” or “billon.” By clicking the left and right arrows below the image, it is possible to scroll through available portraits, which may show several phases of portraiture, such as Nero, who grew from a teenager into adulthood over the course of his reign.
OCRE’s “Identify a Coin” tool offers an easy way in to one of the most complete depictions of numismatic Imperial portraiture online, and the ANS hopes that it will also prove itself a useful art historical tool to trace the development of Roman portraiture from the Augustan period through the Soldier Emperors to the Tetrarchy until the end of the Roman Empire.
Ethan Gruber, the ANS’s Director of Data Science, created the interface, and ANS Curatorial Assistant Disnarda Pinilla identified all of the portraits used in the tool. The ANS’s Associate Curator, Gilles Bransbourg, has overseen the OCRE project from its inception. Although primarily drawn from the ANS’s permanent collection of Roman Imperial coins, other specimens are included from the Münzkabinetts in both Berlin and Vienna, as well as from the Fralin Museum at the University of Virginia.
Today is Maundy Thursday (the Thursday before Easter), which for Christians signifies the day on which Jesus washed the feet of his disciples (John 13:1–17) while instructing them to love one another (John 13:34). It is also the day of the Last Supper.
Maundy Thursday also has numismatic significance by way of the Royal Maundy, a religious service in the Church of England. Current practice holds that the Queen (or a royal official) gives out two purses of coins to elderly recipients as symbolic alms. A red purse holds money for the poor to buy food and clothing, while a white purse contains the special Maundy money. Recipients in the contemporary service are chosen based on their service to their communities around England. This tradition of the distribution of alms in England by a monarch dates back to the reign of King John (r. 1199–1216) who in 1213 gave 13 pence each to 13 poor men in Rochester, Kent in a Maundy ceremony.
In the early tradition of Maundy money, the coins used were circulated and not marked as Maundy alms. This changed in 1752 when the Royal Mint began to produce specialized sets of Maundy money based on coins not struck for circulation. These sets included one silver coin each in denominations of 1d, 2d, 3d, and 4d. The obverses sport the bust of the reigning monarch, and the reverses (since 1822) feature the denomination topped by a crown and encircled by an oak wreath.
There are 430 specimens of Maundy money in the ANS’s collection, one of which is illustrated in MANTIS (pictured above). This 4d silver groat, minted in London between 1660 and 1662 under the authority of Charles II, was traditionally called a “Maundy piece,” this coin exemplifying the Simon issue of 1660–1662. In actuality, this coin was part of a mintage for circulation.
According to the Royal Mint, “Maundy money as such started in the reign of Charles II with an undated issue of hammered coins in 1662. The coins were a four penny, three penny, two penny and one penny piece but it was not until 1670 that a dated set of all four coins appeared. Prior to this, ordinary coinage was used for Maundy gifts, silver pennies alone being used by the Tudors and Stuarts for the ceremony.”
The ANS library holds 94 publications on the Maundy tradition.
The distribution of Maundy money changes each year. In 2017, Queen Elizabeth II will give away the coins in Leicester Cathedral.