Anyone who has been paying attention to the ANS Pocket Change blog or to the ANS Magazine over the last while will be aware that over the course of this year a lot of work has been going on with respect to the large body of numismatic material left to the American Numismatic Society by Rick W. Witschonke in 2015. This includes 524 (14% of the collection) cistophoric tetradrachms and fractions struck for use in the Hellenistic Attalid kingdom and the Roman province of Asia that it became after 133 BC (Fig. 1).
Of the cistophori, named for the cista mystica that serves as the standard obverse type, 146 (27% of the cistophori in the collection) belong to a special class known as Later Republican cistophori. These were struck in the relatively brief period from 58 to 49 BC and are distinguished by their inclusion of the names of Roman governors written in Latin. Issues naming T. Ampius Balbus (58–57 BC) and C. Fannius (49 BC) are also notable for their modifications to the traditional cistophoric reverse type. On coins of Balbus the traditional bowcase of Heracles on the reverse is replaced by a tripod (Fig. 2) while on those of Fannius it is replaced by a tholos temple surmounted by a female figure holding a patera and a scepter (Fig. 3).
Curiously, the depiction of this temple, which seems very similar to the aedes of Vesta in Rome (Fig. 4), has excited relatively little interest in the major numismatic studies of the coins.
In the January 1973 issue of the American Journal of Archaeology, Jane Cody argued that Fannius’ temple should indeed be identified with the aedes of Vesta on the basis of Roman Republican denarii of Q. Cassius Longinus (RRC 428) struck in 55 BC. These depict a virtually identical temple that almost certainly represents the aedes of Vesta (Fig. 5).
The moneyer’s ancestor, L. Cassius Longinus Ravilla, served as prosecutor in the infamous second trial of the Vestal Virgins for failure to honor their vows of chastity in 113 BC. In the 2007 volume of Klio, Linda Zollschan argued that the edifice alluded to the events of 61 BC, in which Fannius and two other members of the college of pontifices (Fannius is consistently described as pontifex on his cistophori) brought the politically-motivated indictment against P. Clodius Pulcher for profaning the female-only rites of the Bona Dea—an important goddess of the Roman state who enjoyed the special patronage of the gens Fannia. Thus, the temple on Fannius’ cistophori should be identified as the temple of the Bona Dea for Roman political reasons and because, in Zollschan’s view, its design and the appearance of the statue that surmounts it are not appropriate for the aedes of Vesta. She cites several dissimilarities:
1. The aedes of Vesta in Rome had 20 columns and only six are depicted on the temple on Fannius’ cistophori—hardly a convincing argument since the unequivocal aedes of Vesta on the denarius of Cassius is also depicted with six columns as a means of revealing the interior.
2. The denarii of Cassius depict the aedes of Vesta with Corinthian column capitals while Fannius’ temple has Ionic capitals. However, close inspection of numerous specimens of Fannius’ cistophori shows that in many cases, the capitals are actually Corinthian and that the “Ionic” capitals are really Corinthian capitals with overly prominent volutes.
3. The aedes of Vesta in Rome was mounted on a podium, but the temple on Fannius’ coins has no podium—and yet the aedes of Vesta on Cassius’ coinage also lacks a podium.
4. The statue atop Fannius’ temple is not appropriate for a representation of Vesta. This is a rather more serious argument since specimens exist in which it is very clear that the female image is not veiled—the primary attribute of Vesta (an especially impressive and clear example appears in a recent update to a blog post on Fannius’ temple by Liv Yarrow). This being said, I have not yet been able to find an example of Cassius’ denarius in print or in CRRO or Coin Archives where it is possible to determine whether the statue on the aedes of Vesta is veiled or not.
Zollschan attempted to identify the statue on Fannius’ temple as the Bona Dea on the basis of her scepter and patera—both rather generic attributes—and a supposed serpent at the top of the scepter that she described as visible on one specimen. However, a close examination of the coin image suggests that what she was seeing as a serpent is really the arm of the figure holding the scepter. She also fails to note that the most prominent attribute of the Bona Dea is her cornucopia (Fig. 6)—something that is entirely lacking from the coins.
Based on the preceding, and on the probability that the die engravers for Fannius’ temple were using a denarius of Q. Cassius Longinus as a model, Cody’s case for the aedes of Vesta still seems quite strong. The potential problem of the female statue may perhaps be mitigated by Flavian aurei that depict the aedes of Vesta in the form it took after its rebuilding under Nero (Fig. 7).
Here the shrine is shown with only four columns(!) and the cult image of Vesta standing inside. She appears to hold a patera and scepter, but again, it is very difficult to tell if she is actually veiled although we would expect it. Other female statues stand to the left and the right of the aedes, which presumably represent deities other than Vesta. Interestingly, the statue on the right also appears holding a patera and scepter in the same manner as the statue on Fannius’ temple, thus raising the possibility that it could still represent the aedes of Vesta without the image of Vesta necessarily surmounting it.
If Fannius’ temple on the cistophori is indeed the aedes of Vesta and the image was copied from the coinage of Cassius, we must then ask why this model was used. It is tempting to suggest that the denarius type may have provided a convenient image of a Roman temple and was used simply to emphasize Fannius’ status as pontifex. Alternatively (or simultaneously?) the temple may have been intended as a punning reference to Fannius’ name (fanum was a somewhat generic Latin term for a temple or shrine).
It is unclear whether there may have been any political motivation in borrowing Cassius’ type. In 49 BC, Q. Cassius Longinus had become tribune of the plebs with the support of Julius Caesar. Fannius, on the other hand, was clearly a Pompeian at the time of the Bona Dea affair in 61 BC. Subsequent events suggest that he may have changed his political alignment. Cicero implicates Fannius in an alleged plot against Pompey (Att. 2.4) in 59 BC and identifies him as a legate sent to Sextus Pompey by the triumvir M. Lepidus in 43 BC (Philipp. 3.16), all of which might imply an association of Fannius with the Caesarean faction in the 50s and much of the 40s BC. However, Fannius was a political opportunist, and in late 43 BC he switched his allegiance again and became a leading supporter of Sextus Pompey in Sicily. This lasted until 36 BC, when it became clear that the Pompeian cause was doomed and Fannius then threw in with Mark Antony. Thus, it seems not impossible that Fannius’ reuse of Cassius’ image of the aedes of Vesta in 49 BC could have served as a somewhat oblique declaration for Caesar through the person of his tribune of the plebs. It would have been very timely for Fannius to do so considering that he probably departed to take up his position as governor of Asia just as, or not long after Caesar cast his die and the Roman state began its descent into civil war.